[postlink]http://onlinemoviesyoutube.blogspot.com/2011/09/allah-tokhey-aaney-ahmed-mughal-sindhi.html[/postlink]http://www.youtube.com/watch?v=VBbpPJnTRNIendofvid
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Chaddey waen jiyen toon ( AHMED MUGHAL ) @ Sindhi Collection
Echoed percussion and what sounds like dolphins calling begins this instrumental interlude. A piano plays a gentle, soft melody that is repeated throughout the piece. Voices enter, haunting and sad-sounding. Percussion enters next, and the full beat kicks in soon after. The song is basically just the myriad voices and dolphin sounds, piano melody, echoed percussion, and soft beat.
Most people claim this as their favorite track from Enigma 3. A meandering flute, similar to the one in Beyond the Invisible, plays a few notes. The beat fades in, and then some uplifting ambient themes enter. The song is very joyous and upbeat. Sanskrit chants, the shakuhaji flute, and a Mongolian sample (from the same source as the one in Morphing Thru Time) stand out among the mix of sounds.
Michael Cretu begins singing lowly over the mix, and then his voice begins to soar but never reaches the intensity that it did in Why! … and Beyond the Invisible. The main melody plays a few times, echoed once by Cretu.
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[starttext]
Chaddey waen jiyen toon ( AHMED MUGHAL ) @ Sindhi Collection
Echoed percussion and what sounds like dolphins calling begins this instrumental interlude. A piano plays a gentle, soft melody that is repeated throughout the piece. Voices enter, haunting and sad-sounding. Percussion enters next, and the full beat kicks in soon after. The song is basically just the myriad voices and dolphin sounds, piano melody, echoed percussion, and soft beat.
Most people claim this as their favorite track from Enigma 3. A meandering flute, similar to the one in Beyond the Invisible, plays a few notes. The beat fades in, and then some uplifting ambient themes enter. The song is very joyous and upbeat. Sanskrit chants, the shakuhaji flute, and a Mongolian sample (from the same source as the one in Morphing Thru Time) stand out among the mix of sounds.
Michael Cretu begins singing lowly over the mix, and then his voice begins to soar but never reaches the intensity that it did in Why! … and Beyond the Invisible. The main melody plays a few times, echoed once by Cretu.
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