[postlink]http://onlinemoviesyoutube.blogspot.com/2011/09/hot-exclusive-hindi-songs.html[/postlink]http://www.youtube.com/watch?v=_IPov1UIv7Yendofvid
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Riya sen from bollywood is a kool gal with good looks and a hard to resist look..
The title of this song is actually a wordplay based on the two words “Sade” and “sadness,” the “Sade” part coming from the name of the Marquis de Sade. Sade was a 17th-century French poet who believed that sex should involve some sort of pain in order for it to be pleasurable. Rumor has it that he was somewhat religious, so the middle portion of this song is asking Sade what he stands for–if he was so religious, then why did he practice acts of violence on others? Sadeness is, on a greater scale, about personal beliefs and “practicing what you preach.”
What captures most peoples’ attention on this song is the mix of traditional Gregorian chant with modern dance rhythms. This song also features a long, passionate solo on a shakuhaji flute, windchimes, bells, Sandra Cretu’s breathy French whispers, and a dark middle portion with a male voice and an electric bass guitar. After the dark middle portion, the flute plays a similar theme, and then everything seems to come together–Sandra whispers over the beat as the bells are playing, and she is echoed by Gregorian chants, which are in turn echoed by the flute. The song ends abrubtly and fades into strange, jazzy percussion.
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[starttext]
Riya sen from bollywood is a kool gal with good looks and a hard to resist look..
The title of this song is actually a wordplay based on the two words “Sade” and “sadness,” the “Sade” part coming from the name of the Marquis de Sade. Sade was a 17th-century French poet who believed that sex should involve some sort of pain in order for it to be pleasurable. Rumor has it that he was somewhat religious, so the middle portion of this song is asking Sade what he stands for–if he was so religious, then why did he practice acts of violence on others? Sadeness is, on a greater scale, about personal beliefs and “practicing what you preach.”
What captures most peoples’ attention on this song is the mix of traditional Gregorian chant with modern dance rhythms. This song also features a long, passionate solo on a shakuhaji flute, windchimes, bells, Sandra Cretu’s breathy French whispers, and a dark middle portion with a male voice and an electric bass guitar. After the dark middle portion, the flute plays a similar theme, and then everything seems to come together–Sandra whispers over the beat as the bells are playing, and she is echoed by Gregorian chants, which are in turn echoed by the flute. The song ends abrubtly and fades into strange, jazzy percussion.
[endtext]
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