[postlink]http://onlinemoviesyoutube.blogspot.com/2011/10/hindi-old-songs.html[/postlink]http://www.youtube.com/watch?v=SKfBD9JljSkendofvid
[starttext]
DUSHMAN NA KARE DOST NE WOH KAAM KIA HAI...
FEMALE..
This song pushes the limits musically by having multiple sounds all playing at once. It is truly an Enigma masterpiece and one of the most amazing tracks ever created by Michael Cretu.
Heavy drums begin the song, and a new synth sound (very similar to the one that played the main melody of T.N.T. for the Brain) plays a new theme. It’s very catchy and danceable. It plays through a few times, and each time a new percussion sound is added. The melody line drops out for the first chant. It’s buzzy-sounding and wavers like the Enigma horn from Knocking on Forbidden Doors. The second chant is an operatic female voice in the background that plays under the buzzy chant. Then a child’s cry enters, so three elements are all playing at once. Elisabeth Houghton begins speaking as the beat drops out. Ethnic drums from Beyond the Invisible remain, but quickly fade out for the tablas from I Love You … I’ll Kill You to enter.
Then, a new effect for Enigma enters. An electric guitar solo begins, but the sound has been morphed to sound like a man’s voice. It’s chilling. This effect plays for a while, and then the main drums and melody drop back in. Everything plays a few times, and then drops down into some old samples. Tablas from The Eyes of Truth, a voice sample and backwards snare drums from the Orthodox Mix of Mea Culpa part II, and drums from Beyond the Invisible are all playing together along with some new Enigma 4 drums. The main melody plays twice and echoes out into silence.
Michael Cretu has always been an advocate of standing up for personal beliefs, so this song probably represents his thoughts on that whole idea.
[endtext]
[starttext]
DUSHMAN NA KARE DOST NE WOH KAAM KIA HAI...
FEMALE..
This song pushes the limits musically by having multiple sounds all playing at once. It is truly an Enigma masterpiece and one of the most amazing tracks ever created by Michael Cretu.
Heavy drums begin the song, and a new synth sound (very similar to the one that played the main melody of T.N.T. for the Brain) plays a new theme. It’s very catchy and danceable. It plays through a few times, and each time a new percussion sound is added. The melody line drops out for the first chant. It’s buzzy-sounding and wavers like the Enigma horn from Knocking on Forbidden Doors. The second chant is an operatic female voice in the background that plays under the buzzy chant. Then a child’s cry enters, so three elements are all playing at once. Elisabeth Houghton begins speaking as the beat drops out. Ethnic drums from Beyond the Invisible remain, but quickly fade out for the tablas from I Love You … I’ll Kill You to enter.
Then, a new effect for Enigma enters. An electric guitar solo begins, but the sound has been morphed to sound like a man’s voice. It’s chilling. This effect plays for a while, and then the main drums and melody drop back in. Everything plays a few times, and then drops down into some old samples. Tablas from The Eyes of Truth, a voice sample and backwards snare drums from the Orthodox Mix of Mea Culpa part II, and drums from Beyond the Invisible are all playing together along with some new Enigma 4 drums. The main melody plays twice and echoes out into silence.
Michael Cretu has always been an advocate of standing up for personal beliefs, so this song probably represents his thoughts on that whole idea.
[endtext]
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