[postlink]http://onlinemoviesyoutube.blogspot.com/2011/09/bichoopyaar-tu-dil-tu.html[/postlink]http://www.youtube.com/watch?v=vC4hfx5hHSQendofvid
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Rani Mukherji And Bobby Deol Romance in BICHOO Filam
One of the lyrics in Gravity of Love is “…and smell what you don’t see.” This song is probably a continuation of that theme. The song begins with the same swirling sound that opens The Gate, and morse-code beeps lead into some ethnic percussion, a strong bassline, and some nice ambient sounds. The full beat kicks in (which is some rich electronic percussion) and the main melody kicks in, played by the same flute as on Beyond the Invisible. Silky sounds weave through the mix, and some steam sounds from Knocking on Forbidden Doors can be heard, along with Sandra’s breathing.
Jens Gad’s guitar comes in. It’s played in a nouveau-flamenco style at first, very soft and mellow. It works up to a nice electric guitar solo that fortunately does not shatter the tranquil mood of the song. Sandra whispers a few lines from Mea Culpa, and then the flute comes back. Towards the end, many elements are playing at once, including some old samples like the horse-whinny from Find Love and the reverse-mode Gregorian chants from Sadeness (Reprise), and also some new samples, one of which sounds like a high-pitched female whimper.
This song is erotic in a subtle way, and one might picture roses, silk, and candles to go along with the music.
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[starttext]
Rani Mukherji And Bobby Deol Romance in BICHOO Filam
One of the lyrics in Gravity of Love is “…and smell what you don’t see.” This song is probably a continuation of that theme. The song begins with the same swirling sound that opens The Gate, and morse-code beeps lead into some ethnic percussion, a strong bassline, and some nice ambient sounds. The full beat kicks in (which is some rich electronic percussion) and the main melody kicks in, played by the same flute as on Beyond the Invisible. Silky sounds weave through the mix, and some steam sounds from Knocking on Forbidden Doors can be heard, along with Sandra’s breathing.
Jens Gad’s guitar comes in. It’s played in a nouveau-flamenco style at first, very soft and mellow. It works up to a nice electric guitar solo that fortunately does not shatter the tranquil mood of the song. Sandra whispers a few lines from Mea Culpa, and then the flute comes back. Towards the end, many elements are playing at once, including some old samples like the horse-whinny from Find Love and the reverse-mode Gregorian chants from Sadeness (Reprise), and also some new samples, one of which sounds like a high-pitched female whimper.
This song is erotic in a subtle way, and one might picture roses, silk, and candles to go along with the music.
[endtext]
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